Ceramic artist search engine optimisation-Yeon Park primarily based this assortment of slip-solid porcelain tableware on the hues and for...

search engine marketing-Yeon Park bases porcelain tableware on Georgia O'Keeffe artwork

Ceramic artist search engine optimisation-Yeon Park primarily based this assortment of slip-solid porcelain tableware on the hues and forms viewed in summary art work by means of American artist Georgia O'Keeffe.

entire in an array of deep eco-friendly, pink, and lightweight lilac tones, the tableware emulates one of the hues found in O'Keeffe's magnified flower works – "The darkish Iris" painting in specific.

Seo-Yeon Park makes porcelain tableware based on Georgia O'Keeffe paintings

The slip-cast ceramics have mild, warped edges that endure a close resemblance to petals. When nested interior one a further, these skinny edges come collectively to supply the impact of a flower.

SEO-Yeon advised Dezeen that her ceramic work is at once inspired via O'Keeffe's quote: "I paint as a result of coloration is a major language to me."

She, therefore, considers "depth of shade" and "simplicity of form" because the most massive features in her apply.

Seo-Yeon Park makes porcelain tableware based on Georgia O'Keeffe paintings

with a view to obtain the intense colorings, the fashion designer experimented with mixing two or extra pigments with a excessive-purity white porcelain clay.

The colored porcelain is then fired at a high temperature of around 1280 degrees celsius in an electric kiln, which gives it a lightweight finish corresponding to polished stone, while not having to be glazed.

search engine optimization-Yeon Park's Botanical backyard works had been exhibited at this year's international assemble artwork fair, which lower back to London's Saatchi Gallery from 22 to 25 February 2018 for its 14th edition.

Seo-Yeon Park makes porcelain tableware based on Georgia O'Keeffe paintings

The collection become showcased via Seoul-based mostly gallery Sikijang. established in 2005, the business supports young artists whose modern crafts comprise Korean traditions.

A series of installations in the compile Open exhibition also took vicinity as a part of the broader compile reasonable, which saw Jay Osgerby choose 14 designers working with craft to present "idea-scary" installations in response to timely issues.

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